摘要
意境是贯穿在程泰宁诸多建筑思想与实践中的一个中国美学概念。通过分析美学范畴中意境的概念、程泰宁思想中意境的表述和意境的建筑化机制,及在程泰宁建筑作品中的具体体现,本文试图说明意境作为一个生发于中国传统文化的概念,有着与现代意识和建筑融合的可能,产生于当代中国语境中的程泰宁的思想和实践,尽管具有独特的文化内涵,却不是地域主义或地域性的,而是当代的且具有普遍性的建筑意义。
Yijing is an aesthetic concept from Chinese context,and runs through architectural thoughts and practices of Cheng Taining.By analyzing the category of Yijing,Cheng’s interpretation of it,and its architectural translation and approaches in Cheng’s works,this paper attempts to illustrate that although Yijing roots in Chinese ancient culture,it has potential to cope with modern mentality and culture and architectural significance in general.Likewise,while Cheng’s thoughts and works generating from contemporary Chinese condition have their own particular cultural meanings,they are neither confined to regionalism nor to a regional.
出处
《建筑学报》
CSSCI
北大核心
2019年第10期1-5,共5页
Architectural Journal
基金
国家自然科学基金项目(51678128)
关键词
意境
“反”透视
藏匿
现当代中国建筑:中介机制
Yijing
anti-perspective
hiding
modern and contemporary Chinese architecture
mediating agency