摘要
羊岩画是贺兰山岩画中数量最为庞大、变化最为丰富的岩画类型之一。每一个羊图案都代表了一个特定的符号,符号之间的区别依靠点、线、面的变换完成。从格尔茨的艺术—符号视角来看,羊岩画具有符号的象征性、情感性,且两者共同体现着一种实用原则,羊岩画依托象征性与情感性所传递的信息以及原始人类应用羊岩画的方式是原始社会的一种本土知识,是原始人类在与智力、生产、需求相适应的条件下发展出来的独特语言。
Goat rock painting is one of the most numerous and varied rock painting types in Helan Mountain.Each sheep pattern represents a specific symbol.The difference between symbols depends on the transformation of points,lines and surfaces.From Gertz’s artistic-symbolic perspective,goat rock paintings have symbolic and emotional symbols,and there is a practical principle in the two communities.goat rock paintings rely on symbolic and emotional information and the way in which primitive humans applied goat rock paintings is a kind of native knowledge of primitive society,and it is primitive humans and wisdom.Unique language developed under the conditions of adapting force,production and demand.
作者
张力文
ZHANG Li-wen(School of Political Science and Law,Ningxia University,Yinchuan 750000,China)
出处
《兰州大学学报(社会科学版)》
CSSCI
北大核心
2019年第4期157-162,共6页
Journal of Lanzhou University(Social Sciences)