摘要
王安忆的中篇小说《叔叔的故事》在二十世纪九十年代初的出现,成为一次重要的发声。在这一兼具总结性和实验性的文本中,知识分子,尤其是掌握话语特权的“作家”群体在这一社会转型期的历史反思与自我反思实践在小说叙事的多个层次中相互映照,并勾勒出“历史”这一当代文学最重要的书写欲望对象在文本形式、形象与内容中的多重投射,展现出这一特殊的历史节点上,中国知识分子对时代性历史焦虑的反思与弥合历史断裂感的努力。
Wang Anyi’s novella The Uncle’s Story appeared in the early 1990s and became an important expression.In this summative and experimental text,the historical reflection and self-reflective practice of intellectuals,especially the“writers”who master the discourse privilege,reflect each other in complex levels of novel narrative,sketching out the multiple projections of“history”,the most important writing desires of modern literature in the form,image and content of“history”,which is the most important object of writing desires of contemporary literature,in the form of text,image and content.All of these techniques of narrative finally present how the Chinese intellectuals made reflections on the historical anxiety on this historical nexus,and made efforts to bridge the sense of historical fracture.
作者
李轶男
LI Yi-nan(Department of Chinese Language and Literature,Peking University,Beijing 100871,China)
出处
《烟台大学学报(哲学社会科学版)》
CSSCI
北大核心
2019年第6期61-69,79,共10页
Journal of Yantai University(Philosophy and Social Science Edition)