摘要
扬雄是两汉文学转折期的代表作家,其赋论和赋学创作也呈现出前后相反的情况,这主要是由扬雄个人情感因素、个人经历与经学思想所决定的。具体表现在三方面:一是因个人情感变化,扬雄对辞赋抒情功能的认识发生了重大变化的结果;二是因个人阅历日渐丰富,扬雄为辞赋创作和赋论引入了实践因素,重新考察辞赋的意义和价值;三是具有强烈创新特征的经学思想,是扬雄赋学创作和赋论变化的学术因素。
Yang Xiong is a representative writer in the turning period of literature between Western Han and Eastern Han Dynasties.Yang Xiong’s Fu creation and Fu Theory present the opposite situation.This is mainly determined by Yang Xiong’s personal emotional factors,personal experiences,and Confucian classics as follows:the first is due to personal emotional changes,great changes have taken place in Yang Xiong’s understanding of the Fu’s function of expressing emotion.The second is due to the gradual enrichment of personal experience,Yang Xiong introduced the practice factors to Fu creation and theory of Fu to re-examine the meaning and value of Fu.The third is that the thought of Confucian Classics which has a strong spirit of innovation is the cultural factors on the change of Yang Xiong’s Fu creation and the theory of Fu.
作者
王志阳
WANG Zhiyang(The Centre for Shushigaku,Wuyi University,Wuyishan Fujian 354300,China)
出处
《成都理工大学学报(社会科学版)》
2019年第6期78-86,共9页
Journal of Chengdu University of Technology:Social Sciences
基金
2017年武夷学院引进人才科研启动经费项目“《仪礼经传通解》与朱子学派礼学思想衍变过程及其影响研究”(YJ201707)
关键词
变化
个人情感
个人阅历
经学思想
change
personal emotions
personal experience
the thought of Confucian Classics