日据时期东北、华北的日本“戏通”及其京剧书写——从“华北交通写真”的京剧文献说起

Japanese “Opera Expert” and his Peking Opera Writing in Northeast and North China during the Japanese Occupation Period——On Peking Opera Documents of “North China Traffic Photograph”

日本"华北交通写真"数据库甫一公开即引发世人关注,其中亦不乏稀见战时中国的戏曲文献,而石原岩彻就是这批珍贵剧史背后之人,他本人也留下了大量关于京剧的著述。同时作为殖民机构官员和文艺家、中国通,石原的京剧书写及其戏曲观有着复杂的面相,蕴含着未被发掘的文史价值,在民国时期日本人的京剧研究谱系中地位独特;而他及其周边的日本同好群体的存在和活动,也对我们了解当时东北、华北的戏曲活动和生态,有着不凡的意义。

Japanese "North China Traffic Photograph" database attracted worldwide attention as soon as it had been published, and there were also rare archives of Chinese opera during the war. Ishihara Iwatetsu was the person behind these precious opera history materials, and he also left a lot of writing on Peking Opera. At the same time, as an official of colonial institution, an artist and an expert of Chinese studies, Ishihara’s writing on Peking Opera and his views of opera are complex, which contain the value of unexplored literature and history, and has a unique position in Japanese Peking Opera research in the Republic of China. Besides, the life and activities of him and his Japanese Beijing opera fans play an important part for us to understand the opera activities and environment of Northeast and North China at that time.