摘要
文体随着时代变迁而不断演变,早已是中国古代文体学的基本规律。文学与其传播媒介之间的关系随着媒介时代的来临而不断凸显,全新的数字媒介催生了具有自身独特文体特征的网络文学,以及一系列新媒介文体和混合性文体。此外,语言风格的戏仿和网络语体的出现也逐渐成为引人关注的文体现象。媒介文化时代的文体演变既源于技术与媒介的共谋,也离不开从现代到后现代的文化转型下的消费文化与视觉文化语境。媒介时代的文学以开放的姿态拥抱新媒体下的图文声像,试图通过兼容并蓄的方式获得活力与新生,文学是否能够在坚守“文学性”的同时,通过文体边界突围的方式走出自我发展的困境,这是我们未来的研究中需要持续关注的问题。
It has been the basic law of ancient Chinese stylistics that literary styles evolve with the changes of the times.With the advent of the media era,the relationship between literature and its media has become increasingly prominent.The new digital media has results in the emergence of network literature with its own unique stylistic characteristics,as well as a series of new media styles and mixed styles.In addition,parody of language style and the emergence of network style have gradually become a noticeable literary phenomenon.The stylistic evolution in the era of media culture not only stems from the collusion of technology and media,but also from the contexts of consumer culture and visual culture in the cultural transformation from modern to postmodern.Literature in the media age embraces pictures,texts,sounds and images with an open attitude,and tries to gain vitality and new life through inclusive ways.Whether literature can break out of self-predicament through stylistic boundaries while sticking to "literariness" is a problem that we need to continue to pay attention to in future research.
出处
《中国文学批评》
CSSCI
2019年第4期86-93,159,共9页
Chinese Journal of Literary Criticism
基金
浙江省社科基金项目“读图时代的图像叙事及其话语隐喻研究”(20NDJC152YB)
国家社科基金重大项目“中国新媒介文艺研究”(18ZDA282)阶段性成果