论河西宝卷中的刺绣艺术

Research on Embroidery Art in Hexi Baojuan

河西宝卷有不少篇目展现了民间的刺绣艺术,其中最为集中的是《孟姜女哭长城宝卷》《绣红罗宝卷》《绣红灯宝卷》。从宝卷描写的刺绣场景中,可以看出:首先,刺绣工艺在当时河西地区已经达到相当高的水平,刺绣的内容也展现出了民众丰富的想象力;其次,刺绣作为一种工艺美术,体现出了"工巧性""和谐性""象征性"的美学个性;再次,刺绣这一行为及绣样的选择本身具有丰富的符号学含义,且在极大程度上受到了当时社会文化的影响。

There are many articles in Hexi Baojuan which show the folk embroidery art. This paper will analyze the embroidery art in the Baojuan, which is based on the Meng Jiangnu Crying in the Great Wall, Embroidered Red Robes and Embroidered Red Lanterns. From the scenes of embroidering in the Baojuan, we can find, first of all, the embroidery craft in the Hexi area has reached a very high level, and the embroidery designs also showed rich imagination in ordinary working people;secondly, as a kind of arts and crafts, embroidery embodies the aesthetic individuality of artistry, harmony and symbolic;thirdly, the behavior of embroidery and the embroidery designs have lots of symbolic meanings. From the expression of symbols, we can learn the infiltration of social culture at that time.