摘要
视觉政治作为当代感觉政治/感知政治中的重要一维,无论是主观感觉的构成结构还是感知方式的表达,都彰显着社会性的生成因素与政治性的运作机制。基于当代法国左翼美学思想的叠合性及其理论的内部差异,其视觉政治研究呈现出不同的理论旨趣。以五月风暴为时间节点,展开阿尔都塞以降当代法国左翼思想家关于视觉、图像与意识形态等方面的美学问题研究,呈现为观看的政治、视觉表征系统与图像生产、视觉的表达机制以及视觉政治的影像化表达等四个维度的问题式探究。
Contemporary theories present distinctive interdisciplinary features that aesthetic theories,literary theories,cultural theories,and art theories are intertwined together. As an important aspect of contemporary sensory politics,visual politics whether from the subjective perception of the structure or from the perception of the expression of the mechanism,both highlight the social factors of generation and political operation mechanism. Based on the congruence of contemporary French leftist aesthetic ideas and the internal differences of their theories,visual political studies present different theoretical interests. The paper took May 1968 as the time node to launch Althusser’s researches on the aesthetic problems of contemporary French leftist thinkers on visual politics and researched on the politics of seeing,visual representation system and image production,the visual expression mechanism and the contemporary expressions of images/films.
作者
王大桥
漆飞
WANG Da-qiao;QI Fei
出处
《湖北大学学报(哲学社会科学版)》
CSSCI
北大核心
2019年第6期29-36,172,共9页
Journal of Hubei University(Philosophy and Social Science)
基金
国家社会科学基金重大资助项目:15ZDB023
中央高校基本科研业务费专项资金重点资助项目:17LZUJBW ZD003