摘要
女性向青春小说即以女性的偏向和喜好为主的青春作品。女性向青春小说的出现并没有给女性带来更多的话语权,而是通过设置空间“禁区”等手法令女性形象及其变体形象“边缘化”,制造了新一轮的“沉默”陷阱。同时,女性创作者的“性别化”更固化了这一刻板形象,女性在两性关系中的谦卑姿态被美满爱情的虚化外衣所掩盖,使其进入“女性童话”的怪圈,沦为被男性拯救与追逐的被动形象。这类文学以女性主义的标签问世,但本质上却不过是才子佳人小说的复演。
Women’s novels towards youth is a kind of youth works which mainly focus on women’s preferences and fondness.Instead of bringing more discourse power to women,the emergence of women’s novels towards youth only creates a new round of“silence”trap by marginalizes female images and its variants by setting up“forbidden zones”in space.At the same time,the“sexualization”of female writers solidifies this stereotypical image.Women’s humble attitude in sexual relations is concealed by the empty cloak of perfect love,and thus women enter the strange circle of“female fairy tales”and become passive images to be saved and pursued by men.This kind of literature came into being under the label of feminism,but in essence it is just a repetition of the traditional romance between the talented gentlemen and the fair ladies.
作者
严晓驰
YAN Xiaochi(School of Humanities and Law,Zhejiang A&F University,Hangzhou,Zhejiang Province 311300)
出处
《楚雄师范学院学报》
2019年第5期78-84,共7页
Journal of Chuxiong Normal University
基金
浙江农林大学科研发展基金人才启动项目“论亚文化视域中的青春文学‘空间’构建”(项目编号2034020053)
关键词
禁区
沉默
女性童话
女性向
forbidden zone
silence
female fairy tale
female orientation