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景观设计的参与、解读与表达 被引量:3

PARTICIPATION, INTERPRETATION, AND REPRESENTATION OF LANDSCAPE DESIGN
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摘要 在本次访谈中,作为张唐景观合伙人,受访人张东首先指出每个民族的景观都应与当地的文化密切相关,认为设计具有中国文化识别性的景观应当是中国景观设计师价值体系的一部分,并强调景观设计在考虑可持续性和韧性提升策略的同时,也应注重与环境教育的结合。随后,基于将景观设计过程视为“两个客观、一个主观”的总结,张东认为设计师对场地的解读,以及个人的知识储备、价值判断和审美倾向都会影响其从场地中获取信息、做出判断和进行设计。在承认生态效益、公众参与是景观设计的重要议题的同时,他格外强调设计的核心价值是创造性地解决问题,景观设计师不可忽视空间营造和对美学的追求。最后,他介绍了张唐景观目前采用的“全过程参与”工作模式,以及这种模式对设计师观察与表达能力的重要意义。 At the beginning of this interview,Zhang Dong,partner of Z+T Studio,believes that landscapes of each nation should be closely rooted in its own culture and designing landscapes which praise China’s cultural identity should be a part of Chinese designers’values and beliefs.Beside of integrating with strategies of sustainability and resilience,landscape design should also combine with environmental education.Zhang summarizes a landscape design process into“two objective aspects and one subjective aspect,”and points out that a designer’s professional knowledge,social values,and aesthetic preferences together influence his/her acquisition of information from sites and the design what and how he/she will make.While recognizing the importance of ecology and public participation to landscape design,he stresses that design essentially is to solve problems in a creative way and landscape designers should not neglect the fundamentality of spatial creation and aesthetics to the profession and the discipline.Finally,he explains the Whole Process Participation design mode adopted by Z+T Studio,and how it helps improve designers’capacity in observation and representation.
作者 张东 田乐(翻译) 李慧彦(翻译) ZHANG Dong;Tina TIAN;LI Huiyan(Partner of Z+T Studio,200052;不详)
机构地区 张唐景观 不详
出处 《景观设计学(中英文)》 CSCD 2019年第5期90-97,共8页 Landscape Architecture Frontiers
关键词 景观设计 观察 表达 文化景观 美学 “全过程参与”工作模式 Landscape Design Observation Representation Cultural Landscapes Aesthetics Whole-Process Participation Design Mode
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