摘要
滩头年画是湖南省唯一的传统手工木版水印年画,数百年以来,每逢过年,民众都要张贴年画,年画就其本质而言,是年俗的需要,是年俗的方式与载体。本文以人类学的方法,从源流、功能、制作与传承、文化意蕴等方面对滩头年画的产生、发展变迁进行解读,揭示滩头年画兴衰的内在原因,进而对滩头年画的保护和传承进行深入思考。
Tantou New Year picture is the only traditional manual woodblock watermark New Year picture in Hunan Province.For hundreds of years,every new year,people have to post new year pictures.In essence,New Year pictures are the needs of New Year customs,and the way and carrier of New Year customs.In this paper,the anthropological method,from the source,function,production and inheritance,c ultural connotation and other aspects of the production,development and changes of the New Year pictures in Tantou are interpreted to reveal the internal causes of the rise and fall of the New Year pictures in Tantou,and then the protection and inheritance of the New Year pictures in Tantou are deeply considered.
作者
王洪斌
何丽容
WANG Hong-bin;HE Li-rong(School of Arts,Hunan University of Science and Technology,Xiangtan 411201,Hunan,China)
出处
《黔南民族师范学院学报》
2019年第5期117-123,共7页
Journal of Qiannan Normal University for Nationalities
基金
2019年度湖南省社会科学成果评审委员会课题“湖南滩头年画的符号学研究”(XSP19 YBZ009)阶段性成果
关键词
滩头年画
艺术人类学
保护与传承
Tantou New Year pictures
art anthropology
protection and inheritance