摘要
在中国文人画的历史发展过程中,王维作为文人画家的代表人物不容忽视。在晚唐至明代不同的历史文化语境当中,画史上对于王维的认识与评价呈现逐渐提高的总体趋势与变化。通过对王维不同时期的画史形象分析,其从唐代的"偶被时人知"到明代实现了"文人之画,至王右丞始"的形象跨越,是因文人画潮流的发展下画家主体相异的审美观念与审美趣尚而形成。王维画史形象由唐至明的演变与文人画的兴起与发展密不可分,从其画史形象的建构历程,可窥见"文人画"从理论形成到最终确立的历史过程。
In the historical development of Chinese literati paintings,Wang Wei,as a representative of literati painters,cannot be ignored. In different historical and cultural contexts from late Tang Dynasty to the Ming Dynasty,historical painters has been showing the gradually overall trend and improvement for a deep understanding and high remarks on Wang Wei. Through the analysis of the images from Wang Wei’s painting history in different periods,his image leaps from " occasionally known" in the Tang Dynasty to " the literati painting originating from Wang Youcheng(junior councillor in Old China;here also referring to Wang Wei) " in the Ming Dynasty,which has been formed because of the different aesthetic concept and interest of the painter under the development of the trend of literati paintings. The evolution of Wang Wei’s painting image from the Tang Dynasty to the Ming Dynasty is closely related to the rise and development of literati painting. From the construction progress of the images in its painting history,one can figure out the historical progress of "literati painting"from its theoretical foundation and eventual establishment.
作者
孙丽媛
Sun Li-yuan(School of Fine Arts,Anhui University,Hefei,Anhui,230000)
出处
《运城学院学报》
2019年第5期26-29,共4页
Journal of Yuncheng University
关键词
王维
文人画发展
画史形象
审美观念
Wang Wei
development of literati painting
historical painting image
aesthetic concept