摘要
依据《维摩诘经》创制出的维摩诘形象,是佛教美术中的一个重要母题。从顾恺之创制"清羸示病"的维摩诘像,到多达十余品的经变画,这一母题不断丰富。川渝两地的维摩诘变相虽然存量不多,但在统一的格式之下,呈现出了地域特色。本文在对川渝地区维摩变辑录的基础上,就部分相关问题作出讨论。
The Vimalakirti image created based on the Vimalakirti Sutra is a significant motif in Buddhist art.This motif has been constantly enriched,including the Portrait of Vimalakirti"in a weak and morbid posture"created by Gu Kaizhi and more than ten pieces of Sutra illustrations.Although Vimalakirti parinama is few in Sichuan and Chongqing,they present regional features in a uniform format.This paper compiles Vimalakirti parinama images in Sichuan and Chongqing areas and discusses related issues accordingly.
出处
《中华文化论坛》
北大核心
2019年第6期123-133,157,共12页
Journal of Chinese Culture
基金
重庆市社会科学规划项目“重庆文化强市战略视野下的博物馆建设研究”(项目编号:2012YBYS094)阶段性成果
关键词
维摩诘经变
摩崖造像
顾恺之
大足石刻
Vimalakirti parinama
bas-reliefs on precipices
Gu Kaizhi
Dazu Rock Carvings