在新时期文化复兴语境下的陶瓷书法艺术

Development of the Ceramic Calligraphy Art in the Context of the Cultural Renaissance in the New Era

本文从陶瓷书法的起源谈起,重点论述了新时期陶瓷书法的产生背景,结合“泥火翰墨”景德镇青年陶瓷书法系列展览,从其中变化勾勒其发展轨迹,并将陶瓷书法放置于“百花齐放、百家争鸣”的艺术大发展背景下,结合“传统与创新”、“民族与世界”两个大讨论,对其未来发展进行展望。

Starting from the origin of the ceramic calligraphy,this paper mainly discusses the generation background of the ceramic calligraphy of the new period.It gives an outline to the developing process through a study of the works of“clay-fire calligraphy”exhibited by Jingdezhen’s young artists,Besides,in this paper,ceramic calligraphy is explored from the perspectives of"tradition and innovation"and"nation and world"in the background of"all flowers blossoming and hundreds of schools contending",and also a prediction is made for?the?developmental?prospect of the ceramic calligraphy art.