摘要
在阿城世俗小说观的框架下,深入解析三个方面的问题:其一,从阿城提出的小说诗的意识与世俗性中,厘出其深刻的矛盾性,并结合阿城的小说创作,将这一问题展开;其二,分析世俗性与"观",即纯然的世俗性与主体意识是否调和,知识分子是否能将"观"从世俗中完全地祛除,由此展开的小说家对主体性的厌恶及对客观性追求的执着,以及这种执着最终构筑了一个神话,反思阿城"如何观世俗"的问题;其三,对阿城小说美学"腔"的探讨,厘出"腔"中所包含的小说核心特质--可能性的问题。小说的特质是无限丰富的可能性,那么就意味着小说家有必要"脱腔",不能一味沉迷在"腔"中写作,与此同时,对小说家是否能真正做到"脱腔"的问题深入思索。从而发现阿城的世俗小说美学充满了矛盾与自我颠覆,却又拥有着独特的魅力与启发性。
A Cheng is not only a very talented novelist, but also has deep thoughts on novels.The purpose of this paper is to analyze three problems.Firstly,from the consciousness of poetry and secularity proposed by A Cheng,we can find out its profound contradiction.Secondly, it analyses secularity and "view", and to reflect on how to observe the secular world by A Cheng.Thirdly, it discusses the aesthetic "tune" of the novels.The essence of fiction is infinite possibilities.It is discovered that the aesthetics of secular novels is full of contradictions and self subversion, but it has unique charm and enlightenment.
作者
陈曲
Chen Qu(Beijing University of Posts and Telecommunications,Beijing,100872)
出处
《重庆社会科学》
CSSCI
2019年第11期120-128,共9页
Chongqing Social Sciences
关键词
世俗性
诗的意识
“观”
“腔”
Secularity
Consciousness of poetry
"View"
"Tune"
