具象与抽象:蒙古族图案造型意象略论

Concreteness and Abstraction:on the Image of Mongolian Pattern

图案在不同民族传统文化中的历史承继与实际运用极其久远,其具有的体系架构特征与文化厚度正在被循序渐进地挖掘和阐述。本文探讨的内容即是一种对于广义范畴内图案造型与文化特征的分析,目的在于阐述蒙古族图案的两种主要造型形态--具象与抽象,并且以图案的"意象"为视角进行举例剖析,对蒙古族图案"象"的视觉特征与内在"意"的文化涵义进行解析。

The historical inheritance and practical application of the pattern in the traditional culture of different nationalities is extremely long,and its structural features and cultural thickness are being gradually excavated and elaborated.The content of this paper is an analysis of the pattern modeling and cultural characteristics in the broad category.The purpose is to explain the two main shapes of the Mongolian pattern-concrete and abstract.And take the "image" of the pattern as an example to analyze the visual characteristics of the Mongolian pattern "elephant" and the cultural meaning of the inner "meaning".