论民国时期的书法展览

On the calligraphy exhibition during the republic of China

有关民国时期书法展览的研究,是学术界的短板。民国时期的书法展览分个人展览、团体展览和专题展览。其中个人展览只是在京津等大城市偶有举办,次数与影响有限;团体展览较之个人展览,要多一些;至于专题展览会,最具代表性的有两次,即1940年佛教美术展览会和1944年作家手迹展览会,无论是规模还是质量,要远高于个展及团体展,影响也更大。

The study of calligraphy exhibitions during the Republic of China is a shortcoming of the academic world.During the Republic of China,calligraphy exhibitions were divided into individual exhibitions,group exhibitions and special exhibitions.Individual exhibitions are only occasionally held in large cities such as Beijing and Tianjin,with limited number and influence;group exhibitions are more than individual exhibitions;As for the special exhibitions,the most representative ones are the 1940 Buddha Art Exhibition and the 1944 Writer’s Handwriting Exhibition.Whether it is scale or quality,it is much higher than solo exhibitions and group exhibitions.