摘要
"祭泸戏"在元代就已经产生,之后在明清的杂剧传奇中,该戏各有不同的发展流变,这些发展流变反映出人道主义观念和平民意识的增强、戏曲之间以及小说对戏曲的影响、杂剧在文学性与舞台性的平衡方面不如传奇更侧重于舞台性。结合"祭泸戏"发展流变的研究,可以知晓《鼎峙春秋》这样一部大篇幅铺演南征故事的作品为什么没有选取"祭泸戏"了。
The "Sacrificing Lu Jiang Opera" was born in the Yuan Dynasty. Later, in the Zaju of Ming and Qing Dynasties, the drama had different development and changes. These developments reflect the enhancement of humanitarianism and peace consciousness, the influence of drama and fiction on drama, and the fact that Zaju does not focus more on stage than drama in terms of the balance between literature and stage. Finally, combined with the study of the development and evolution of the opera, we can also know why Dingzhi Spring and Autumn does not choose the "Sacrificing Lu Jiang Opera", which has spent a lot of time on the story of the Southern Expedition.
作者
刘砚秋
LIU Yanqiu(School of Humanities,Wenzhou University,Wenzhou 325000,China)
出处
《淮海工学院学报(人文社会科学版)》
2019年第11期44-46,共3页
Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)
基金
浙江文化研究工程重大基金项目(18WH30041ZD)
关键词
“祭泸戏”
发展流变
杂剧传奇
"Sacrificing Lu Jiang Opera"
development and evolution
legend of Zaju