摘要
文学人类学孕育发展于比较文学学科,在21世纪形成以文化文本及其符号编码原理为核心,以文史哲不分并包容宗教、艺术等学科的"神话历史"为认识目标,以三重证据法和四重证据法为新方法论的一个完整理论体系,在国内外产生了广泛影响,成为中国学术"走出去"和争取国际学术话语权的成功范例,并且日渐发展为一门新兴交叉学科,成为我国文科创新发展较成熟的动力。本次国际比较文学大会的文学人类学圆桌讨论,围绕"文化大小传统""四重证据法"两个主题展开对话与交流,推进文学人类学的中国理论话语之对外传播。
Gestated and developed in the field of comparative literature, literary anthropology has become a complete theoretical system in the 21 st century, which taking cultural texts and its symbolic coding principle as its core, the "Mythistory" that included in literature, history, philosophy, religion, arts, and other disciplines as its study goal, the Triple Evidence Method and the Quadruple Evidence Method as its study methods. It has produced a wide range of influences at home and abroad, and has become a successful example of Chinese academic "going out" and striving for international academic discourse rights, and has gradually developed into a new interdisciplinary subject, which become a more mature driving force for the development of liberal arts in China. This round-table discussion on literary anthropology at the International Conference on Comparative Literature opened a dialogue and exchange around the two themes of "cultural little and great traditions" and "Quadruple Evidence Method" to promote the external dissemination of Chinese theoretical discourse in literary anthropology.
作者
秦崇文
QIN Chongwen(School of Chinese Language and Literature,Shaanxi Normal University,Xi'an,Shaanxi 710119,China)
出处
《百色学院学报》
2019年第5期15-20,共6页
JOURNAL OF BAISE UNIVERSITY
关键词
文学人类学
文化大传统
四重证据法
第22届国际比较文学大会
literary anthropology
cultural great tradition
Quadruple Evidence Method
22nd International Comparative Literature Conference