地方民歌在现代诗歌作品中的创造性转化——以谢克强诗集《巴山情歌》为中心

Creative Transformation of Local Folk Songs in Modern Poetry——Centered on Xie Keqiang’s Collection of Poems Bashan Love Songs

中国地域辽阔,地形多样,文化传统深厚,民间文学资源丰富,作家对于民间文学的借鉴与转化,是中国文学发展与演变的重要规律之一。然而,作家对民间文学资源的借用,首先在于继承,其次才是转化,再次是创造。以当代诗人谢克强诗集《巴山情歌》为研究对象,具体探讨民歌在现代诗歌创作中的创造性转化所存在的问题、取得的经验以及留下的教训。民间文学为民间无名氏集体创作,作家文学是作为生命个体的作家所创作,二者有严格的区分。作家借用民间资源而进行的创作,已经不再是民间文学,而是作家文学;如果有所改变与改造,也说不上是对民间文学的破坏。作家个人的文学创作,只能作为作家文学来对待,不可作为民间文学来评价而受到指责。

China is a country with vast land,diverse terrain,profound cultural tradition and rich folk literature resources.The writer’s reference and transformation of folk literature is one of the important laws of the development and evolution of Chinese literature.However,the borrowing of folk literary resources by writers lies in inheritance first,then transformation and last creation.Taking the contemporary poet Xie Keqiang’s collection of poems Bashan Love Songs as the research object,this paper explores the problems,experiences and lessons left behind in the creative transformation of folk songs in modern poetry creation.Folk literature is created by folk anonymous people,and writer literature is created as an individual writer,which has a strict distinction between the two.The creation carried out by writers using folk resources is no longer folk literature,but writer literature,and if there is any change and transformation,it can not be said to be the destruction of folk literature.The writer’s personal literary creation can only be treated as writer literature,and can not be criticized as folk literature.