摘要
象山民间传统艺术中蕴涵着丰富的“渔文化”内涵,传统剪纸艺术是其视觉化呈现的典型代表。运用图像人类学理论加以阐释,是属地民众与自然环境的相互关系中产生发展,其图像与符号在“人与图”的关系中,展现出民众的生活情感与生命宇宙哲学观,也创造出属于自己独特的审美旨趣与艺术形式,为解释其自身的艺术与审美提供原始而有力的佐证。
Xiangshan folk traditional art contains rich connotation of“fishing culture”,and the folk paper-cut art is typical representative of its visual presentation.The paper uses the theory of image anthropology to explain the emergence and development of the relationship between the local people and the natural environment,in which the image and symbol,in the relationship between“man and picture”people show the feelings of life and life of the people of the universe philosophy.Through this we can see that the local people create their own unique aesthetic purport and art form.It provides original and powerful evidence to explain its own art and aesthetics.
作者
张杰
ZHANG Jie(Ningbo Institute of Finance and Economics,Ningbo 310165,China)
出处
《红河学院学报》
2019年第6期54-56,共3页
Journal of Honghe University
关键词
象山民间艺术
“渔文化”
剪纸
图像人类学
Xiangshan folk art
“Fishing culture”
Paper-cut
Graphic anthropology