摘要
发饰,作为中国上下五千年悠久历史文化的表现形式之一,其发展和演变从一个侧面折射了一个民族乃至整个社会生活的历史变迁。发饰中蕴藏的深层文化意识,源远流长,延续至今。发饰除了具有审美意义,更具有考古与历史价值的艺术载体,不仅代表着各个时期的文化样式,也积淀着中华民族的审美观念和审美情趣,最为形象和直观地记录着纷繁复杂的历史进程中微观的时代印记。从社会学、考古学及美学的角度,溯流而上,探索发饰最初萌生的原点以及渗透其中的审美意识,透视发饰的起源与早期发展,这些都是十分必要的。
Hairdressing,as one of the forms of expression of China’s five thousand year long history and culture,its development and evolution reflects the historical changes of a nation and even the whole social life from one side.The deep cultural consciousness contained in hair ornaments has a long history and continues to this day.In addition to aesthetic significance,hairdressing is also an art carrier of archaeological and historical value.It not only represents the cultural patterns of various periods,but also accumulates the aesthetic concept and aesthetic interest of the Chinese nation,and most vividly and intuitively records the microcosmic era marks in the complicated historical process.From the perspective of sociology,archaeology and aesthetics,it is necessary to trace back to the current,explore the origin of hair ornaments and the aesthetic consciousness that permeates them,and perspective the origin and early development of hair ornaments.
作者
王鑫玥
WANG Xin-yue(Daqing Museum,Daqing 163316,China)
出处
《哈尔滨学院学报》
2019年第12期136-140,共5页
Journal of Harbin University
关键词
发饰
起源
美学
装饰性
hairdressing
origin
aesthetics
decorative