苏轼《蝶恋花·春景》的艺术拓展与革新

The Art Development and Innovation of Su Shi’s Butterflies Love Flowers and Spring Scenery

苏轼《蝶恋花·春景》一词之内,交织着伤春与喜夏的双重主题,突破单一“伤春”的书写模式,创造出新的审美范式;剪影与速写的表现手法不仅形成强烈的画面感和戏剧性,并由此构建了该词雅健超脱的品质,具有词人鲜明的个性色彩;词人在借景抒情、即事抒情中,诗性与理性融通,发出超越时空的人生喟叹,寄寓着对人生逆境的感慨和寻求超脱的努力。

In Su Shi’s poem Butterfly Love Flowers and Spring Scenery,the double themes of"melancholy in spring"and"rejoicing over summer"are interwoven,breaking through the single writing mode of"melancholy in spring".The ex pression techniques similar to drawing silhouette pictures and sketches not only create picturesque and dramatic images,but also constructs the elegant and detached quality of the work,which reflects the distinct personality of the poet.In the lyrics of scenery and narration,poetry and rationality are blended together,expressing the poet’s sigh for life about surpass ing time and space,humans’emotion in adversity and their efforts to seek transcendence.