互动，界面与时间性——电影与游戏何以“融合”？

Interaction, Interface and Temporality: How could Cinema and Video Game Really Converge?

互动性是理解游戏和电影之关联的关键要点,但由于它最终导致了媒介和表象的二元分化,进而无法深入展示互动性电影和叙事性游戏的可能性和必要性。由此我们从互动性转向更兼容实在和潜在、客观和主观的双重面向的界面。界面的时间性特征启示出汇通游戏和电影的另一种可能,在重看和重玩的辩证之中重启现在尖点这个根本的时间维度。现在尖点不仅撕裂了堆栈的整体图像,也为重新理解电影的叙事性提供了全新的线索。

Interactivity is a key point to understand the relationship between video game and cinema,but because it ultimately leads to the dichotomy of media and representation,the possibility and n ecessity of interactive movies and narrative games cannot be further dem on strated.Thus we move from interactivity to a more comprehensive concept‘interface'to fully illustrate the deep overlapping of actuality and virtuality,as well as objectivity and subjectivity.Through the dialectic of‘replay'and ‘re-play’,the interfacial temporality reveals another possibility of converging of video game and cinema,that is,the‘point of present'as the direct image of time.