摘要
舞剧《红高粱》音乐创作在严格遵守剧情主线、把握思想脉络的基础上,进行了卓有成效的创新探索和实践,在整体设计上通过创作主题凸显民族性、演绎框架强化同构性、艺术表现注重融合性,全面展现了这部舞剧音乐创作"民族为基、音舞融合、中西融通"的核心旨归。音乐创作者通过音乐表达和传递了"美在深情的人生体验、美在社会的宏大叙事、美在自然的终极思索"等三重审美思考,使观众对于舞剧主题"生命意识"有了更深层次的理解与体悟。
The musical creation of the dance drama Red Sorghum has carried out fruitful innovative exploration and practice on the basis of strictly abiding by the main line of the plot and grasping the ideological context. In the overall design,the musical creation of the dance drama is fully demonstrated by highlighting the national character through the theme of creation,strengthening the isomorphism of the deductive framework and paying attention to the integration of artistic expression. The core purpose of "national basis,integration of music and dance,and integration of China and the West". Through the triple aesthetic thinking of"beauty in deep life experience,grand narrative of beauty in society,and ultimate thinking of beauty in nature"expressed and transmitted by music,the composer makes the audience have a deeper understanding and understanding of the theme of dance drama "life consciousness".
作者
程远
尹爱青
CHENG Yuan;YIN Ai-qing(School of Music,Northeast Normal University,Chang Chun 130117,China)
出处
《北京舞蹈学院学报》
CSSCI
2019年第5期120-124,共5页
Journal of Beijing Dance Academy
关键词
舞剧
《红高粱》
音乐创作
整体设计
审美思考
dance drama
Red Sorghum
music creation
overall design
aesthetic thinking