摘要
我国古代在编篡药典时,为便于辨别药材,形成了辅助绘制药图的传统。药图的绘制,或选用实物写生而成,或根据底本摹绘而成。《本草品汇精要》是明代药物图典的代表作之一,其中新增描绘了五种产于域外的香药图像。对于新增的域外药物图像,画家既无实物写生,又无底本临摹,他们依靠对文本的理解,借鉴传统树石、人物绘画技法,设计出独特的艺术风格。文章试对这些作品进行分析,探讨其艺术价值和文化意义。
When ancient China compiled the pharmacopoeia,In order to facilitate the dentification of the medicinal materials,a tradition of assisting in the mapping of medicines has been formed.Drawing of the drug map,of using the physical object,sketched or according to the base,the pharmacopoeia Bencao Pinhui Jingyao is one of the representative works of the Ming Dynasty.It newly painted five kinds of fragrant medicine images produced outside the domain.For the new extradomain drug images,the painter has neither physical sketches nor foundations.They rely on the understanding of the text,drawing on the raditional stone and character painting techniques to design a unique artistic style.This article tries to analysis these works to explore their artistic value and cultural significance.
作者
杨卫华
顾国兰
Yang Weihua;Gu Guolan(Academy of Art,Changzhou University,Changzhou 213016,China;Collge of Art in Suzhou University of Science and Technology,Suzhou 215000,China)
基金
教育部人文社会科学研究项目《中国古代本草艺术图像研究》研究成果,17YJA760070
江苏省教育厅高校哲学社会科学项目《明代彩绘本草图像艺术特征研究》研究成果,2016SJB760100
周有光语言文化学术研究项目《常州画派草虫画及其影响研究》研究成果ZYG001811
关键词
本草
香药
设计
bencao
fragrant medicine
design