文学·生态·民族——从郭雪波近作《诺门罕之锤》看其长篇小说叙事转向

On Exploration of Literature, Ecology, Nationalities——From Guo Xuebo’s Recent Work The Hammer of Nomenham

郭雪波的长篇小说近年来逐渐从生态小说过渡为历史小说,这一转变有其一贯写作特色和观念发展的必然性。叙述者地位的愈益凸显与小说题材的趋于宏大和客观,都表明郭雪波小说的“前景”民族叙事越来越占据重心。郭雪波的个人创作探索经历,在一定程度上具有代表性,为我们展示了少数民族和少数民族地区的作家从事相关主题写作可能遭遇的种种困境。

Guo Xuebo’s novel has gradually transitioned from ecological novel to historical novel in recent years,this transformation has its consistent writing characteristics and the inevitability of the development of ideas.The increasingly prominent position of the narrator and the tendency of the novel subject turning to be grand and objective,both indicate that narration of minority nationalities as the“foreground”of Guo Xuebo’s novel is occupy ing the center more and more.Guo Xuebo’s personal creative exploration experience,to a certain extent,is repre sentative,showing us various difficulties the minority nationalities writers and the writers in the areas inhabited by the minority nationalities engaged in related topic writing may encounter.