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论阎连科小说的文类叠加及其意蕴生成——以《炸裂志》为中心

Superposition of Literary Types and Generation of Implication in Yan Lianke’s Novels——An Example of The Annals of Zhalie
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摘要 阎连科具有很强的文体意识,其创作经历了文类的杂糅、融合到叠加的自我突破和变革。《炸裂志》实现了小说、志书和寓言等多种文类的叠加,加上其采用了魔幻现实主义和中国套盒式的叙事策略,作品便出现了处于不同层级又相互交织的叙事者和隐含作者,在施魔与祛魔、真实与荒诞的悖论式叙事中强化了反讽的艺术效果,也带来了真实即荒诞(成人视角)与荒诞即真实(儿童视角)的审美悖论与张力,最终拓展了小说的意蕴空间。 Yan Lianke has a strong sense of literary form,and his works have experienced a breakthrough and reform from a mixture to superposition of literary types.Through the superposition of novels,books,fables and other kinds of literature,and the narrative strategies of magic realism and Chinese boxes,The Annals of Zhalie contains many explicit narrators and implicit authors in different but intertwined layers,through which the favorable ironic artistic effects in a paradoxical narration are strengthened,an aesthetic paradox and tension between the adult perspective(truth is absurdity)and the children perspective(absurdity is reality)is achieved,and the connotation of novel space is eventually extended.
作者 廖高会 LIAO Gaohui(School of Humanities and Social Sciences,North University of China,Taiyuan 030051,China)
出处 《中北大学学报(社会科学版)》 2020年第1期70-75,共6页 Journal of North University of China:Social Science Edition
基金 2018年教育部人文社会科学研究一般项目:新时期乡土小说中的乡愁叙事研究(18YJA751019)
关键词 阎连科 跨文类写作 文类叠加 《炸裂志》 Yan Lianke cross-genre writing superposition The Annals of Zhalie
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