阿斯哈·法哈蒂电影的影像风格研究

Study on the Image Style of Asghar Farhadi’s Films

伊朗导演阿斯哈·法哈蒂是伊朗新一代导演,也是各大国际电影节的宠儿。从2004年踏上影坛至今,14年的从影之路,8部影片,他获得了丰硕的成绩,到现在获得两次奥斯卡金像奖、柏林电影节和戛纳电影节等无数殊荣,在世界影坛凭借自己的影像风格占据了一席之地。他的电影告别了阿巴斯的诗意电影和儿童电影的清新姿态,开创了伊朗新电影以来的现实主义家庭叙事,用高超的叙事技巧给我们呈现出伊朗社会中家庭生活的真实侧面。本文从美学风格和叙事风格入手,探讨阿斯哈·法哈蒂在美学风格、叙事风格和表现风格方面的独特性。

Asghar Farhadi is a new generation of Iranian directors and the darling of major international film festivals.Since 2004,he has been on the film scene for 14 years and made great achievements in eight films.He has won two Oscars and many honors in the Berlin Film Festival and the Cannes Film Festival.He has occupied a place in the world film industry with his own image style.His films bid farewell to Abbas’s poetic movies and children’s movies,and initiated the realistic family narrative in the new Iranian movies.With superb narrative techniques,he presented us the real side of family life in Iranian society.Starting from the aesthetic style,narrative style,this paper explores the uniqueness of Asghar Farhadi in aesthetic style narrative style and expressive style.