百衲织物的历史发展与审美传承

Historical development and aesthetic inheritance of patchwork fabric

百衲织物是中国传统手工艺的重要组成部分,文章结合文献记载和出土实物分析总结了百衲织物的历史,指出碎片拼缝服装在春秋战国时期已经出现,晋代随着佛教在中国的传播,百衲这一称谓开始出现在汉语中,且其代表的样式随之而传播,至唐代百衲织物在民间已有较大影响,明清时期为其发展高峰,样式更为多样,应用领域进一步拓展,水田衣成为流行的样式而盛行一时。百衲织物具有很高的审美价值,具体体现于技艺美、图案美、色彩美和寓意美等,当下可以从拓展内容题材、创新表现手法、善用色彩等方面推进百衲织物的应用与设计,传承发展好这一传统技艺。

Patchwork fabric is an important part of Chinese traditional handicraft. The article concludes the history of patchwork fabrics according to documents and unearthed objects, proposing that costume made of some pieces had emerged in Spring and Autumn and Warring States Period. With the spread of Buddhism in China in Jin dynasty, Chinese verb "Bai Na" which means patchwork occurred and began to spread. In Tang dynasty, patchwork fabric had great influence in folk, and developed prosperously in Ming and Qing dynasties. The patterns became more diversified, and the application fields were further expanded. The costume made of patchworks became a popular style. Patchwork fabrics have high aesthetic value, which is embodied in craft, pattern, color and implied meaning particularly. In the new era, we can promote the application and design of patchwork fabric from the aspects of expanding its content and themes, updating its expression techniques, and making good use of colors, etc.