吐蕃时期藏族绘画图像中的神话叙事研究

Narration of Myth in Images of Tibetan Painting in the Tubo Period

作为神话叙事的载体,吐蕃时期藏族绘画中的图像具有一定的历史性、时间性和叙事性特点,在绘画图像中历史性和时间性被消解,画面中的符号所承载的是吐蕃时期人们对人类起源、自然灾害、宗教语境中被神圣化的历史人物和事件等方面的认知。绘画图像将这些保存于意识形态中的神话信息进行客观图式化,使人们在语图互补中传播和接受文化内容。通过绘画图像中的神话为民族民间信仰建构了神圣的信仰空间,体现了多重叙事媒介之间互动的叙事形式,也反映了多元文化融合和民族认同的文化共识。

As carriers of myth narrative, the images in Tibetan paintings during Tubo periodhave certainhistorical, temporal and narrative characteristics. Although the historical and temporal features have been dis-pelled, the symbols retained in the paintings embody Tibetan’s knowledge of the origin of human beings, naturaldisasters, and sacred historical figures and events in the religious context during the Tubo period. Painting imag-es demonstrate the mythological information stored in ideology objectively, enabling people to spread and acceptthe culture content in the language and painting. Through the myths in the painting images, a sacred belief spaceis constructed for the nationality and its folk beliefs which reflect the narrative form of interaction among multi-ple narrative media and the cultural consensus of multi-cultural integration and national identity.