摘要
表现性水墨人物画是在传统写意画基础上发展起来又区别于写实主义人物画的一种绘画形式,西方表现主义与中国传统写意画有相通之处,并以其强烈的象征寓意与自由表现吸引了一批中国画家,他们逐步脱离写实的束缚,放弃对客观物象的复刻性描摹,用水墨语言表达内心情感,促进了中国当代水墨人物画的发展。
Expressive ink and figure painting is a painting form which developed on the basis of traditional freehand brush work and is different from realist figure painting.Western expressionism has similarities with traditional Chinese freehand brush work.The freehand brush work attracted a group of Chinese painters with its strong symbolic meaning and free expression.Chinese painters gradually got rid of the shackles of realism,gave up the repetitive description of objective objects,and expressed their inner emotions with the language of ink and wash,which promoted the development of contemporary Chinese ink and figure painting.
作者
边昊
BIAN Hao(School of Fine Arts,Nanjing Normal University,Nanjing,Jiangsu 210000)
出处
《泰山学院学报》
2019年第6期107-110,共4页
Journal of Taishan University
关键词
西方表现主义
传统写意画
表现性水墨人物画
western expressionism
traditional freehand brush work
expressive ink painting