摘要
印度电影《调音师》改编自法国同名悬疑短片,在保留原故事创意和悬疑性的基础上,运用叙事技巧演绎出了更多的反转与精彩:通过阿卡什的凝视与被看,构建影像世界、自我世界与他者世界的统一体;通过持续生产的悬念和矛盾冲突,满足观众情感场域的心理期待;通过所指与隐喻,绘就人性黑暗的荒诞寓言。《调音师》独特的叙事系统可为我国电影创作提供有益借鉴与启示。
The Indian film Andhadhun is adapted from the suspense short film of the same name in France.On the basis of retaining the originality and suspense of the original story,the film uses narrative techniques to deduce more reversals and brilliance:through Akash's staring and being seen,it constructs the unity of the image world,the self world and the other world;through continuous suspicion and conflict,it can meet the psychological expectation of the audience's emotional field;through signified and metaphor,it depicts an fantastic fable of dark human nature.The induction of the unique narrative system of Andhadhun provides some useful experience for the creation and adaptation of Chinese films.
作者
丁爱伟
DING Ai-wei(College of Media,Zaozhuang University,Zaozhuang,Shandong 277160)
出处
《怀化学院学报》
2019年第10期118-121,共4页
Journal of Huaihua University
关键词
《调音师》
叙事解码
视点
悬念
隐喻
Andhadhun
narrative decoding
viewpoint
suspense
metaphor