论审美阐释——一种现代艺术的现象学-存在主义-阐释学解读

On Aesthetic Interpretation——Understanding Modern Art from Phenomenology-Existenialism-Interpretation

现代艺术颠覆古典艺术的审美观念而使艺术作品的身份认定成为美学难题。康德提出的"判断在先,还是快感在先"的审美先验命题,经由伽达默尔的发展而衍变为"阐释在先,判断在后"的艺术经验命题,但这一命题尚需"现象学-存在主义-阐释学"的理论发展,才能成为阐释现代艺术的有效概念。"审美阐释"依据"审美阐释→艺术作品→审美经验"的阐释逻辑,反对经典艺术的"艺术作品→审美静观→审美经验"的审美逻辑,不仅赋予现代艺术以合法性,而且打开了阐释主体与艺术作品的全新意义世界,使阐释主体与艺术作品一起成为一种本体性的生命共在。

Modern art subverts the aesthetic concept of classical art and makes the identification of art works an aesthetic problem. Kant’s aesthetic a priori proposition of "prejudation first, or pleasure first" evolved into the artistic experience proposition of "interpretation first, judgment later" through the development of Gadamer, but this proposition still needs the theoretical development of "phenomenology-existentialism-interpretation" become an effective concept for interpreting modern art. Based on the interpretation logic of "Aesthetic Interpretation→Artwork→Aesthetic Experience," "aesthetic interpretation" opposes the aesthetic logic of "art works → aesthetic observation → aesthetic experience" of classical art, not only imparts legitimacy to modern art, but also opens the subject of interpretation. With the new meaning world of art works, the interpreting subject and the art work together has become an ontological life.