混杂与共存:蒙古地域藏传佛教建筑文化多样性解析

Hybrid and Coexistence:An Analysis about Cultural Diversity of the Tibetan Buddhism Architecture in the Mongolia Region

蒙古地域的藏传佛教是我国藏传佛教文化中的重要组成部分,其中,藏传佛教寺庙建筑作为藏传佛教文化载体,逐步演化为蒙古地域最重要的建筑文化景观之一。学界通常将蒙古地域藏传佛教寺庙建筑的总体布局和单体形态归类为汉式、藏式和汉藏结合式,但事实上其中的每类形态表征都极为多样。文章基于文化地理学的研究视角,通过大量文献研究与田野调查,旨在阐释蒙古地域藏传佛教建筑文化多样性的形态表征及产生缘由。

Tibetan Buddhism in the Mongolia region is an important part of Chinese Tibetan Buddhism culture.Accordingly,Tibetan Buddhist temple,as the carrier of Tibetan Buddhism culture,has gradually evolved into one of the most important architectural and cultural landscapes in the Mongolia region.The academic circle usually classifies the general layout and single shape of Tibetan Buddhist temple architecture in the Mongolian region as the Han Style,the Tibetan Style and the Combination Style.However,each type of morphological representation is extremely diverse.Based on a large amount of literature research and field survey,this paper aims to explain the diversity of architectural representation of Tibetan Buddhism in the Mongolia region from the perspective of cultural geography,and reveal the reasons behind the complex and diverse architectural culture phenomenon of Tibetan Buddhism in the Mongolia region.