摘要
传统美学产生于古典哲学的体系之中,在康德等哲学家、美学家的建构之下,呈现出超脱于世俗的学科特点,在其视域下的建筑审美主张将建筑的世俗功能排除在审美活动之外。但当生态观念与绿色环保主义成为如今社会的最强音时,与传统美学有所不同的当代环境美学应运而生。这也反映了美学学科随时代变化而发展的特点,其每一次跨越都是彼时之时代形势所赋予它的职责,它的兴起向传统美学的主张提出了挑战,也无疑反映了美学学科的嬗变,即对于艺术之外美的关注。而在相应的美学视域下,建筑审美无疑也会发生一定转变。
Traditional aesthetics originated from the system of classical philosophy.Under the construction of philosophers and estheticians such as Kant,it presents the characteristics of the discipline that is detached from the secular.The architectural aesthetics under its vision excludes the secular function of architecture from aesthetics.Outside the activity.However,when ecological concepts and green environmentalism become the strongest voices of today's society,contemporary environmental aesthetics,which are different from traditional aesthetics,emerged as the times require.This also reflects the characteristics of the development of aesthetics in different generations.It is the responsibility given to it by the situation of the times.Its rise poses a challenge to the traditional aesthetics.It also undoubtedly reflects the evolution of the aesthetics,that is,the attention to beauty outside art,and in the corresponding aesthetic field,There will undoubtedly be a certain change in the aesthetics of architecture.
作者
朱硕
汪振城
Zhu Shuo;Wang Zhencheng
出处
《建筑与文化》
2019年第12期62-64,共3页
Architecture & Culture
关键词
环境美学
建筑审美
审美转变
建筑的环境模式
environmental aesthetics
aesthetics of architecture
aesthetics transformation
environmental model for architecture