《过昭关》的类型范式与历史伦理解读

An Interpretation of the Type Paradigm and Historical Ethics of Crossing the Border-Zhaoguan

以乡土和公路作为主要元素的轻喜剧《过昭关》在类型上进行了一定程度的创新,借助“乡土”这个底色元素完成了中国公路电影类型的范式升级。《过昭关》关注当下城市化进程中乡土与人情的变迁,观照在大时代辗转中失语祖辈一代的心路历程,带有历史与伦理的二律背反式思考意味。影片试图在当下的社会语境中,弥合老中少三代人价值观念的裂痕。

The light comedy Crossing the Border-Zhaoguan, with the countryside and highway as the main elements, is innovative to an extent in the type, and has completed the paradigm upgrade of China’s highway film type with the help of the background element of the country. Crossing the Border-Zhaoguan pays attention to the changes of local land and human feelings in current urbanization process, meditates over the mentality of aphasiac ancestors in the great era, reflecting the dual meaning of history and ethics after lamenting, and trying to bridge the gap of values of the three generations, old, middle and young in the current social context.