贵州水城滇东北次方言支系苗族传统蜡染工艺传承与振兴

Inheritance and Revitalization of Traditional Batik Handicaft of Miao in the Sub-branch of Northeast Yunnan Sub-dialect in Shuicheng of Guizhou

服饰是一个民族表现其文化的重要载体,苗族服饰上的蜡染图案纹样是表达其独特文化内涵的物质载体符号。贵州省水城县境内分布有苗族“大花苗”“小花苗”“白苗”“歪梳苗”“喇叭苗”五大支系,各支系的蜡染呈现出百花齐放的文化特色。由于商品经济的冲击,苗族传统工艺的传承与发展举步维艰,许多传统手工艺包括苗族传统蜡染工艺在内亦处于濒危局面,滇东北次方言苗族的蜡染工艺面临亟待传承和保护的问题。

Costume is an important carrier for a nation to express its culture,and the batik pattern on Miao costume is a material carrier symbol to express its unique cultural connotation.There are five branches of miao nationality in Shuicheng county,Guizhou province,which called“big flower seedlings”,“little flower seedlings”,“white seedlings”,“crooked comb seedlings”and“trumpet seedlings”.The batik of each branch presents the cultural characteristics of blooming flowers.With the impact of commodity economy,the inheritance and development of traditional handicraft of the miao nationality are under a difficult circumstance.Many traditional handicrafts,including the traditional batik handicraft of the miao nationality,are also in the process of dying out.Among them,the batik handicraft of the Miao nationality in the sub-dialect of northeast Yunnan province is also facing a worrying situation that needs inheriting and protecting.