从《奔月》中的嫦娥形象探索时代女性的命运

The Fate of Women of the Age from Chang’e’s Image in Flying to the Moon

在鲁迅《故事新编》中《奔月》是唯一一篇涉及世俗婚姻的神话小说,小说中的嫦娥也是唯一一个重点着笔的女性形象。纵观鲁迅笔下为数不多却又意味深长、极具时代代表性的几个女性人物形象,她们都是在封建礼教下苦苦挣扎而不得生路最终走入死境的苦难女性。而嫦娥形象是鲁迅笔下女性人物命运死路以外的另一种探索,从世俗婚姻中的嫦娥的命运出路去思索女性另一种冲破死路的自我解放道路。

In Lu Xun’s New Stories,Flying to the Moon is the only myth novel involving secular marriage,and Chang’e in the novel is also the only key female image portrayed.Lu Xun’s works describe a few female characters who are meaningful and representative of the times.They are all pitiful women who are struggling under feudal ethics and can’t survive and finally meet a dead end.The image of Chang’e is another exploration beyond the dead end of female characters in Lu Xun’s works.From the fate of Chang’e in secular marriage,Lu Xun tries to find another way of self-liberation for women to break through the dead end.