摘要
从先秦到两汉,不论文学作品还是民间传说,采桑活动与女性形象便时常相伴出现,"采桑女"成为具有特定内涵的文化符号。罗敷作为《陌上桑》中广为人知的采桑女,既是文学表达的具体意象,又是反观汉代女性服饰文化内涵的生动个案。服饰文化是社会生活体系的有机组成部分,将采桑女置于汉代特定的时空语境下,在全面梳理现有图像资料的基础上,解读汉代女性服饰显性层面的特征及隐形层面所表征的服饰文化、社会文化及价值观念。
From the pre-Qin to the Han Dynasty, regardless of literary works or folklore, the mulberry activities and female images often appear together, and the "picking mulberry women" become cultural symbols with specific connotations. As a well-known picking mulberry woman in "Mo Shang Sang", Luo Fu is not only a concrete image of literary expression, but also a vivid case of the cultural connotation of women’s clothing in the Han Dynasty. Apparel culture is an organic part of the social life system. The picking mulberry women are placed in the specific time and space context of the Han Dynasty. On the basis of comprehensively combing the existing image data, the characteristics of the explicit aspects of the female costumes in the Han Dynasty and the characteristics of the invisible level are interpreted the clothing culture, social culture and values.
出处
《创意设计源》
2019年第5期41-46,共6页
Idea & Design
基金
2018年山东省文化艺术科学重点课题“不慕古,不留今,与时变,同俗化——先秦齐国服饰文化研究”(项目编号:201806536)阶段性成果
关键词
采桑女
汉代
服饰
图像学
Picking Mulberry women
Han Dynasty
Costumes
Imagery