摘要
20世纪初中国美术在西方美术的强势参照下,在诸多思想家和美术家的推动下,选择了全面学习西方写实主义美术的造型体系,客观上形成了中国的现实主义文艺思潮。这种文艺主导思想在半个多世纪的实践过程中逐步注入了丰富的内涵,特别是延安文艺座谈会的讲话发布后,曾一度成为中国美术创作的主导思想和批评标准。1980年代以后,现实主义文艺思潮被淡化,最终形成了形态多样、媒介综合且极具思想性的多元化格局。
At the beginning of the 20th century,under the strong influence of Western art and the promotion of many thinkers and artists,Chinese art chose to learn the modeling system of western realism art in an all-round way,which objectively formed the trend of Chinese realism literature and art.In the practice of more than half a century,the leading thought of literature and art has gradually injected rich connotation,especially after the speech of Yan'an Literature and Art Symposium was released,it once be came the leading thought and critical standard of Chinese art creation.After the 1980s,this kind of literature and art trend with poli cy attribute was abandoned,and finally formed a diversified pattern with various forms,comprehensive media and highly ideological significance.
作者
张毅
ZHANG Yi(Moscow Art School,Weinan Normal University,Weinan 714099,China)
出处
《渭南师范学院学报》
2019年第12期90-96,共7页
Journal of Weinan Normal University
基金
陕西省社会科学基金项目:延安木刻时代特征与艺术价值研究(2016J006)
关键词
艺术创作
美术思潮
现实主义
“85美术”
artistic creation
trend of thought in fine arts
realism
"fine art after the 1985s"