身份转换·修辞策略·影像机制——论女性主义视域下电影《刺客聂隐娘》的改编

Identity,Rhetoric,and Image: The Assassin from a Feminist Perspective

相比于唐传奇中的《聂隐娘》,电影《刺客聂隐娘》摒弃“奇侠”形象,转而以刺客/女性角色为叙事核心,着力展现刺客/聂隐娘刺杀过程中的等待与观察。正是在这一过程中,刺客/聂隐娘完成了自我身份的确认与女性意识的觉醒。从女性主义视域下,检视《刺客聂隐娘》的改编,首先通过表层文本比较,探寻侯孝贤以何种方式关照女性意识;其次从影像修辞策略挖掘侯孝贤迥异于唐传奇之处;此外从导演深层的影像机制中,窥探侯孝贤对女性主体建构与男女平权的现代化意识的呈现。

Compared with the original work,The Assassin abandons the traditional narrative of swordsman,tells the story of a female assassin and focuses on her waiting and observation.In her observation,the heroin finds her identity and feminine consciousness.The Assassin's adaptation of the original text,its visual rhetoric,and its images reveal the director's attention on feminine consciousness,female identity,and equal rights.