文体周流:《文赋》理论体系论

An Interrelated Systematic Literary Criticism: On the Theoretical System of Wenfu

《文赋》的研究成果积案盈箱。然而,其阐释方法的特殊性,理论内涵的丰富性,概念义界的模糊性,研究角度的多边性,使这一研究对象仍然具有生生不息的理论生命力。《文赋》以文辞和情感、意义和物象的两组二元关系为研究路径,所论之构思、创作、文本,涉及文学发生、意象生成和文本呈现的全部过程,建构了一个以创作论为核心的系统的理论体系。其中,应境斯感的构思论、文则文术的创作论、文病文用的文本论是《文赋》的核心内涵;儒玄融贯是《文赋》的思维特征。在传统与时代、创作与接受的交接点上,《文赋》具有独特的文学批评史意义。

The research results of Wenfu is very much abundant. However, the particularity of its interpreting method, the richness of its theoretical connotation, the fuzziness of its concepts’ boundary and the polygonality of its research angles all make it a subject of study with a continuous theoretical vitality. With the two groups of binary relations between diction and emotion, meaning and image as its research path, and with such topics as conceiving, creating and texting being discussed, Wenfu involved the whole process of literary occurrence, image generation and text presentation, constructed a scientific theoretical system with its creating theory as the core, amongst which contextualized emotional conception theory, principled methodological creation theory and diagnose-based pragmatic text theory are its kernel connotation and comprehensive mastery of both Confucianism and metaphysics is its characteristic of thought. At the joint node of tradition and modernization as well as creation and acceptation, Wenfu is of a unique significance of historical literary critiques.