论后新电影时代王童电影的底层意识——以“近代三部曲”为例

On the Underclass Consciousness of Wang Tong’s Films in the Post-New Film Age——Take "Modern Trilogy of TAI Wan" As An Example

王童作为台湾新电影时期的代表性导演之一,注重将人物放到大时代背景中去观看,展现人性的细微层面,对情感的描述委婉而质朴,深具人文关照。其“近代三部曲”更为深刻细腻地刻画了台湾底层小人物的艰苦生活,反射出台湾底层民众对自己身份和主体意识的探索与追寻,将新电影的写实主义和批判现实主义美学精神推到了一个新的高峰。

As one of the representative directors in Taiwan's new film age,Wang Tong's film style is quite different from that of other new film directors.He puts the characters into the background of the big era to watch,emphasizes the subtle level of human nature,euphemistically and plainly describes emotions,with deep humanistic care.Its"Modern Trilogy"depicts the hard life of the lower class in Taiwan more profoundly and delicately.It reflects the exploration and pursuit of the identity and subjective consciousness of the lower class in the Taiwan through the merriment and joy of the lower class,and pushes the realism and critical realism aesthetic spirit of the new film to a new height.