摘要
徽州木雕作为“徽州三雕”之一,在题材选择上,多数借用典故;在人物刻画上,刀法简练,细节生动;在作品布局上,主题鲜明,构思严谨,构图大胆;在视觉语言上,符号化与程式化明显;兼具装饰与工艺之美,更加注重精神层面的探索。融入中国传统文化思想的徽州木雕,将审美和功能性相结合,达到善与美的高度统一,具有丰富的文化内涵。
Huizhou woodcarving is one of the“three carving schools in Huizhou”,the other two being the carvings on the stone and brick.Their themes have historical allusions,which are characterized by the concise knife techniques and vivid details,the rigorous and bold layout.It explores the spiritual world through visual symbolization and stylization with exquisite craftsmanship.Huizhou woodcarving,which integrates Chinese traditional culture and ideology into craft and design,combines aesthetics and functionality to achieve a high degree of unity of goodness and beauty,with rich cultural connotations.
作者
谢媛
宣兴磊
XIE Yuan;XUAN Xing-lei(Department of Art and Design,Anhui Vocational College of Press and Publishing,Hefei,Anhui,230601,China)
出处
《盐城师范学院学报(人文社会科学版)》
2019年第6期43-46,共4页
Journal of Yancheng Teachers University(Humanities & Social Sciences Edition)
基金
国家艺术基金艺术人才培养资助项目“徽文化三雕设计创新人才培养项目”(2018-A-04-(120)-0651)
国家艺术基金艺术人才培养资助项目“民族题材动漫青年创作人才培养项目”(2019-A-04-(010)-0552)
关键词
徽州木雕
徽商
艺术风格
民间艺术
Huizhou woodcarving
Huizhou merchants
artistic style
folk art