1949年后中国画人物画造型的现代性转型研究

Research on the Modern Transformation of Modeling in Chinse Figure Painting Since 1949

本文解析了近百年中国画人物画造型在现代性转型过程中形成的三种类型,以及它们在近70年中所产生的作用和价值。一、恪守传统.采取意象造型的方法,保持了中国画的造型特点;二、以徐悲鸿为代表的写实人物造型,以科学的眼光探究事物在视觉上的客观规律,大量吸取了西方古典艺术中透视和解剖等方面的知识,使中国画人物画第一次真正有能力表现现实生活中的人物;三、以林风眠为代表用民间艺术和西方现代艺术相结合的人物造型,富有现代人文精神和现代审美特征。它们已经成为中国画新的传统中的一部分,既折射出中国画现代性转型的基本面貌,也是未来中国画发展的底蕴。

In this paper,three types of modeling in Chinese figure painting,which were formed in the modern transformation in the past century,are summarized,with their functions and values in the past 70 years being analyzed.The first type is characterized by abiding by tradition and adopting image modeling.In this way,the modeling characteristics of Chinese painting are maintained.The second is the realistic figure modeling represented by Xu Beihong.Through exploring the objective laws of things in vision from a scientific perspective and learning from the perspective and anatomy in western classical art,real life figures are presented in Chinese figure painting in a real sense.The third is the character modeling that combines folk art and western modern art represented by Lin Fengmian,which integrates modern humanistic spirit and modern aesthetic characteristics.As components of the new tradition of Chinese painting,apart from manifest!ng the basic features of the modern transformation of Chinese painting,they also serve as the foundation for the development of Chinese painting in the future.