摘要
讥讽和诃斥是民间讽刺歌谣的主要特征,本文依据授记等文献资料,对仓央嘉措创作情歌以来至西藏和平解放三百年间西藏盛行的讽刺歌谣的文本、历史背景、语言的艺术特征等进行了探讨。
Satire and reprimand are the main characteristics of folk satirical ballads. Based on the documents and materials such as records, this paper discusses the text, historical background, and artistic features of the language of satirical ballads that have been popular in Tibet for three hundred years from the creation of love songs by Cang Yang Jia Cuo to the peaceful liberation of Tibet.
作者
当周才让
Bya Mdo Dondrup Tsering(School of Humanities at Tibet University,Lhasa,Tibet,850000)
出处
《青海民族大学学报（藏文版）》
2019年第3期113-124,共12页
Journal of qinghai minzu University：Tibetan Version
关键词
西藏民间
讽刺歌谣
艺术特征
Satirical ballads
Evolution
Artistic features
