主叙事的质疑过程:后现代主义的“戏仿”策略——从琳达·哈琴的观点出发

The Questioning Process of the Main Narrative: the "Parody" Strategy of Postmodernism: From the Viewpoint of Linda Hutcheon

“戏仿”从西方传统文学技巧到当代艺术中的文化策略,其本身的概念内涵随着历史语境的变化而产生了流变。琳达·哈琴在对“戏仿”概念进行词源学和政治学的考察后,结合后现代主义语境对其进行了重新定义。琳达·哈琴将“戏仿”置入话语系统和“编码-解码”过程,分析语境对编码考与解码者意图的意义,从而更有利于将文本之外的因素引入解码过程,以丰富文本话语的意义。在解码过程中,“戏仿”通过“双重文本”的引入显示差异,消解主体,是对主叙事进行质疑的过程。

From the traditional western literary skills to the cultural strategies in contemporary art,the concept and connotation of parody has changed with the change of historical context.After investigating the etymology and political science of parody,Hutcheon redefined it in the context of postmodernism.She put"parody"into the discourse system and the process of"encoding and decoding",and analyzed the meaning of context to the encoding test and decoder's intention,so as to introduce factors beyond the text into the decoding process and enrich the meaning of text discourse.In the decoding process,"parody"shows the differences through the introduction of"double text"and resolves the subject,which is a process of questioning the main narrative.