摘要
马克思在《资本论》中曾经预见,在资本主义生产关系下"空间"将成为统治工具。列斐伏尔在"空间生产理论"中也指出:在资本增殖逻辑下"空间"成为生产的对象,并无形中规定着我们的日常生活。空间复制成为空间生产的手段,空间生产反映出空间危机的表征。在这一情境逻辑下,公共艺术应该反映出空间与艺术创作的核心价值:人的活动和情感联系,并在对空间生产批判中,建立起一种新类型公共艺术。以在地创作反抗空间复制,用情感连接启发个体自觉。新型的公共艺术已经成为抵御当前空间危机的重要途径。
Karl Marx once predicted in On Capital that in the capitalism relation of production, "space" would become the tool for the ruling class. Likewise, Lefevre also pointed out in the "space production theory" that "space" would be subjected to production in the logic of capital proliferation, and people’s daily routine would be under its regulation. Duplication will be the means of space production, which on the other hand will characterize space crisis. Within such context, the public art shall reveal the core value of space and artistic creation: human behavior and emotional touch. Hence, a new public art can be established in the space production criticism. To promote local creation against duplication, to inspire individual consciousness by emotional connection, this new type of public art can serve as a possible solution to the present space crisis.
出处
《公共艺术》
2019年第5期38-45,共8页
Public Art
