边缘的偶遇：《脸庞、村庄》中的特定场域艺术

Encounter at the Edges: Site-specific Art Works in Documentary “Visages, villages”

本文试图通过分析法国纪录片《脸庞、村庄》中的一系列特定场域艺术作品,以边缘和偶遇为出发点,结合美国艺术史学者权美媛对特定场域艺术三类范式的归纳,以及德国学者汉斯·贝尔廷关于媒体时代脸性社会的研究,分析艺术家采用游牧式创作过程的原因及其所指向的扩展的场域:当代法国社会的各类社会议题。

This paper analyzes a series of site-specific art works in the French documentary "Visages, villages", with the key words of edge and encounter. Inspired by the induction of the three paradigms of site-specific art by American art historian Miwon Kwon, and the research of German scholar Hans Belting on the face society in the media age, the paper attends to the reason why artists adopt nomadic creation process while the art works achieve the expansion of "site": the various social issues in contemporary French society.